Location Scout & Risk Assesment

 This is the risk assesment and location scout for the film opening it is primary shot in Candras house. It was by Candra and Maha 

Location
Address:	The street in front of Candra's house Link to location
Scene:	bicycle scene
Advantages of location:	not many vehicles in the location
Disadvantages of Location:	very dark during night-time
Alternatives:	55. JL DANAU TONDANO
Risk Assessment
Risk:	Who is at risk:	How to avoid risk:	High,Medium,Low risk:
1. Injured	Candra	be careful	Medium
2. A lot of dogs	Gusde,Kenzo,Candra,Maha	be friendly to the dog and stay calm	medium
3. A lot of cow poop	Gusde,Kenzo,Maha,Candra	Be careful and see our step	medium

Location
Address:	Candras house
Scene:	Outside road day
Advantages of location:	Have a good place and silent
Disadvantages of Location:	bad road
Alternatives:	55. JL DANAU TONDANO
Risk Assessment
Risk:	Who is at risk:	How to avoid risk:	High, Medium, Low risk:
1. Bad quality	all group	find good place and road	high
2. Injured	Candra	be careful	high
3. Slipped	Candra	need to find a good spot and not wet soil	low

Location
Address:	Candras house
Scene:	Gate day
Advantages of location:	Lot of space and view
Disadvantages of Location:	The gate is broken
Alternatives:	55. JL DANAU TONDANO
Risk Assessment
Risk:	Who is at risk:	How to avoid risk:	High, Medium, Low risk:
1. wound	Guard,gusde/Kenzo	be careful	medium
2. Dark can hit items	all group	use flashlight or lighting	medium
3. Fall	all group	be careful because lot of surge	medium

Location
Address:	Candras house
Scene:	Outside Garage
Advantages of location:	Silent and quiet
Disadvantages of Location:	Other people owned
Alternatives:	55. JL DANAU TONDANO
Risk Assessment
Risk:	Who is at risk:	How to avoid risk:	High, Medium, Low risk:
1. Get caught	all group	ask permission	high
2. hit by a car	all group	check surrounding	high
3. dog	all group	stay calm	medium

Reflection

Overall I'm excited to shoot in Candra's house as it provides a nice mix of open spaces and tradtional balinese house design and architechure though it is a bit far so getting there may be an issue. Next time we may try to find closer alternatives.

Classwork

 In this post I will give examples of the technical elements we have been learning in class. These will be very helpful when I am trying to add meaning to my film opening.   Made By Candra

Camera angle :

1. Long shot

2. Extreme long shot

3. Medium shot

4. Cowboy shot

5. Close up

6. Extreme close up

7. POV

8. Over the shoulder

9. High angle

10. Low angle

11. Dutch angle

12. Establishing shot

 Camera movements :

Fixed	Camera remains static	Calm, peace, normal
Push in	Camera moves slowly toward subject	Brings the audience closer, more involved, getting more serious.
Pull out	Camera moves slowly away from subject	Takes audience away from the action, leaving a character. Detaching from subject
Pan	Side to side, camera fixed	Reveal information, mirrors natural head movement of the audience.
Tilt	Up and down, camera fixed	Same as pan, just a different direction
Dolly	Camera moves around freely	More immersive, we are moving inside the subjects world, we feel part of the action
Tracking	Camera moves around on tracks	Similar to dolly, but smoother.
Crane		Reveals the epic size of the setting, landscape.
Handheld	Camera is shakey	Very natural, immersive. High energy
Zoom	Zoom	Brings audience closer to budget. Draws our attention to something.

crane

Sound 

 

	Description	Effect
Diegetic sound	Sound that can be heard by the characters within the media text.	Add a sense of realism. Reveal information to characters (and then audience)
Non diegetic sound	Sound that can only be heard by the audience.	Enhance meaning, create an emotional response in the audience
Trans diegetic sound	Sound that transitions from one to the other.	Creates a link between the audience and the world. More immersive

 

Edit :  

Continuity Editing	Non continuity editing
Straight cut (cut) Eyeline match  Shot /reverse shot Cutaway / Insert  *Match cut	Cross cut (parallel cut) Flash back Flash forward Jump cut  *Match cut

Screen Test

 this are the candidates we test to play in our film intro project. Made by Candra

This was good , because we got to see wide choices of actors which have different skills and we had a hard time thinking on which actor should we choose to be in our movie opening .

We decided to chose Candra to play as the protagonist in our opening scene  , in the screen test video , because we have a good relationship with that person and he have many free time to play in our opening scene project .

and we chose Gusde as the mafia boss in our opening scene project , because Gusde is good at deepen emotions which makes it more realistic and Gusde have a lot of free time which we could use to record our opening scene project . 

Reflection:

I originally planned for the characters to be played by Candra and Maha and I think after this screen test were going to stick to that, as no one really had standout performances. In terms of the screen test it was not optimal as it was filmed live in class with little preperation and a lack of stage directions aswell the sample wasnt optimal for the people we were looking for. I think to Improve we want to create a more controlled setting with a proper script and a better selection of people.

Screenplay

 This is the screenplay of our film opening. Primarily made by Gusde but the final fight scene was made by Candra.

Research

These articles helped me format and write a screenplay.

How to Write a fight Scene

Screenplay Format and Examples

Screenplay

FADE IN:

1

EXT. ROAD -  Day

We open with a Drone shot following CANDRA, a devoted man who comes back to his old gang to take revenge on the boss who's wronged him. riding a bright pink princess bike dressed like a woman with a blonde wig down a street until he arrives at a house. 

CUT TO:

EXT. ROAD - OUTSIDE ROAD- DAY

He puts one foot on the ground, creating a thump, and dismounts the bike, showing off a pink sparkly glitter shoe. He then seductively walks his way towards the building CANDRA as the camera moves down, creating a low-angle shot of the building.

CUT TO:

EXT. HOUSE - GATE - DAY

A large, secure, decorated gate protects a big, fancy house fit for a king. Two guards patrol the outside of the gate. The guards then begin catcalling CANDRA, Whistling him and calling him over. CANDRA then walks closer seductively and elegantly.

GUARD 1

Hey gorgeous, how you doin’? 

GUARD 2

Are you lost, little missy?

Candra with a smirk on his face walks close to the guards and kicks one of them in the groin then the other tries to pull out a weapon but CANDRA smacks them over the head with a heavy purse incapacitating them. 

Then we see candra open a door and emerge with the guards outfit.

CROSSFADE:

2

EXT. Compound - Outside garage - day

CANDRA then walks into a garage and sees people working on cars. That could be his escape. He opens a door to enter the main compound then he sees a group of guards drinking relaxing snacks in the Bale/Communal area.

Guard 1 

(Confronting)

Hey who are you?! 

Guard 2 

(arrogant)

Yoo, what do you want! 

Guard 3

(interogating)

Where you headed to?

CANDRA 

(serious tone head down)

I’m the new guy. I need to go to the boss's office. I need to have a word with him

Guard 1 

(enthusiastic)

The new guy doesn’t see the boss on the first day

CANDRA 

(confident Looks up)

Watch me

EXT. MAIN DOOR INTO MAIN BUILDING.                                             3

CANDRA then walks towards the main building and meets a towering guard with sunglasses.

BIG Guard

ID please (smirk)

The Big guard is then surprised as to where he gets the ID and before he can ask him. Candra pulls out a spray bottle of mosquito repellent and sprays the guard in the face. 

CUT TO:

INT. HOUSE - OFFICE - DAY                                                         4

CANDRA enters the large office of the BOSS as he tries to close the door the Big Guards hand blocks it from closing and CANDRA kicks it and closes the door.

BOSS

So we meet again, Candra. What have you come for this time?

CANDRA then turns his head to see a  Big well dressed man the BOSS

CANDRA

Your head (smirks)

Boss

(laughs maniacally)

The BOSS then stands up from his desk, takes off his suit and approaches CANDRA to confront him. An intense stare down occurs and the camera cuts from face to face then they both dash towards each other with ready fists and BLAM both fists connect knocking them back.

Boss

Finally the moments i have been waiting for 

(laughs)

CANDRA

Tch 

(smiling)

Candra runs toward the boss and swings his feet straight towards the Boss's face . Then the Boss block his kick with one arm and threw him to the side 

Boss

You never change CANDRA 

(laughing)

(pulls out a gun)

CANDRA

(angry)

FADE OUT

(Gun shot)

Reflection Term 1:

Overall the screenplay was not that hard to write and too come up with ideas for especially since I had acess to a floorplan of where we were shooting and that really helped create the chronological story. Though what I found to be difficult was the formatting, there are many rules that need to be followed as well especially indenting the dialogue was frustrating as it kept reverting or messing up other aspects of the screenplay. I think next time it'll be easier as I now have a better understanding of how to format it though I'll try to find a better platform to write it thats more specialized to creating screenplays as compared to google docs.